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Letter
from New Delhi
Indian
Youth, Bollywood & Sex
--
Atul Dev
It
is the season for college admissions in India. Newspapers
are full of reports of how the entire scenario is shaping
up, particularly in Delhi University, which seems to be the
most sought after by Indian youth. The pictures printed
alongside news reports show girls in the most fancy of
clothes making the entire admissions process one big fashion
carnival.
While
the whole world was watching this very interesting
phenomenon with various thoughts in mind, I had just one
thought. This is a major landmark in the life of our youth
-- the transition from a schoolboy or schoolgirl to a
college student. There are many visible changes, such as the
uniform gives way to style statements, compulsory attendance
to a minimum percentage attendance, from tuck shop during
breaks to cafeteria open at all times, a bell to start
classes compared to a quiet slide-in into a lecture hall.
All these are physical signs of growing up and an expression
of or exertions to indicate the difference.
I
think the three years spent in college provide the perfect
cushion to Indian youth to move from school life to the
post-graduate world of professions, specializations and
jobs. I spend a lot of my time in the classroom preparing
this youth to embark on a chosen career. Most of my students
have graduated but are not yet into professions. They join
courses, such as those run by my institution, to get some
specialization; and, more importantly, to firm up their
convictions about the profession they wish to choose.
But
not many of us teach them on what to expect from life and
how to deal with it. This is particularly true of issues
related to emotions and relationships. Some of my colleagues
often argue that these are subjects no classroom can teach,
yet it is my experience that we can play an important role
in the mental development of our students, by example, by
practical advice and often by interpretations of what they
see happening around them. I can say, with a fair degree of
personal satisfaction, that I have been fairly successful in
my mission.
Here
comes the role that my co-teacher, the Bollywood movie,
plays. What I am unable to put across or what I feel a bit
diffident of discussing in the classroom is well covered by
Bollywood and that gives me an opportunity to discuss,
analyze and perhaps advise the youth who sit before me wide
eyed and wonderstruck.
It
would be saying the obvious that Bollywood has had a
tremendous impact on Indian youth and their mental make-up.
There are varying views on how this is happening. Some feel
that Bollywood comes up with many taboo subjects and
presents them as an example for youth to emulate. There are
others who feel that Bollywood reflects the reality in some
parts of our society and that gives courage to the other
part to emulate. Frankly, I see it as a simple phenomenon.
Bollywood reflects reality somewhere and helps others to
pick up courage to come out in the open of what they are
also doing or wish to do. It provides them a visible
justification or an example to follow.
Fortunately,
I am in the business of teaching communication. Bollywood,
thus comes most handy for me to cite as examples of what
communication has achieved in a particular situation or for
a personality. I love talking about Rakhi Sawant, Mallika
Sherawat and Shilpa Shetty and the role media has played in
making them household names. I am sure readers of Mauritius
Times are familiar with these three names from Bollywood!
My
latest favourite from Bollywood is the current Amitabh
Bachchan starrer – ‘Cheeni Kum’. It is a
brilliantly crafted movie. The casting is perfect, the
acting outstanding and the dialogue witty. Just about
everything in the film suggests -- "This is reality and
let us not be hypocritical about it.” The amazing thing is
that it reflects reality that is often suppressed. We have
had numerous offerings from Bollywood on similar themes but
this one is the best ever. Frankly, I would have named this
movie – ‘Cheeni Kum, Conviction
Jayada’.
It
is not my intention to write a review on this movie because
that is the job of more specialized writers! But I am keen
to present to you a specific situation. Note the dialogue,
when Tabu’s father goes on a 'satyagraha', hoping
his 34-year-old daughter will call off her plan to marry the
64-year-old Amitabh:
“Papa,
kuch kha lijiye.”
“Kya
tu us buddhe ko chhod degi?”
“Nahin.”
“To
phir main kuch nahin khaoonga.”
“Jaise
aapki marzi”, she says and
calmly walks out of the room!
A
hunger strike may be a bit extreme. But these kinds of power
struggles are commonly enacted in our homes and especially
at this time of the year, when students make choices related
to careers. What ‘Cheeni Kum’ shows you is that
if you know what you want and are determined to have it, no
one can 'force' you into a different direction. Yes,
marrying a man 30 years older is not common but ‘agar
meri khushi isi main hai’ and I am prepared to bear
the consequences, and then so be it. The situation is all
about -- "I love you, you're my dad, but finally it's
my life!"
The
moral of the story is: if you stand firm for what you
believe in, the world will come around to accept it. Let
your passion burn bright -- be it for a person, profession
or philosophy of life, fuel it with conviction. The
slightest breeze of disapproval snuffs out only a candle, if
there is fire in your belly, it will burn on!
Bollywood
has portrayed the twin themes of love and sex regularly. In
fact, if I may put it very bluntly, they have taken on the
mantle of becoming ‘teachers’ in a subject that needs to
be taught in our classrooms. On the other hand we have the
recent decision of one of our state government, Madhya
Pradesh, having decided to
end the Adolescent Education Programme, two years after it
was introduced in class
IX and XI, stating -- "sex education has no place in
Indian culture”. Based on the advice rendered by the 'Shiksha
Bachao Samiti' (remember that Madhya Pradesh is governed by
the BJP!), the State government has decided that yoga should
be included in the curriculum in place of sex education.
I
do not think that people in power, who seem to be self
appointed custodians of Indian culture, are aware of the
changes that are taking place in society. Fifty
years ago we only had Binaca Geet Mala on All India Radio.
Today we have item girls in bikinis doing the jig on prime
time television. Fifty years ago Bollywood couples only
danced around trees. Today they kiss, have sex and sometimes
even get pregnant before marriage. Fifty years ago most
Indian girls attained puberty at age 13-14. Today, it is as
early as 9 years.
I
recently came across a survey done in the same state by the
Madhya Pradesh Voluntary Health Association amongst 250
girls in the 10-19 age group in 12 districts. The survey
found that 70 per cent want sex education to be made a part
of curriculum in schools and over 60 per cent of the girls
were facing a communication gap with their parents due to
shyness and fear. Since a majority of Indian parents are
unlikely to be comfortable talking about sex with their
kids, a formal sex education program has its merits. The
truth however is that formal sex education has little or no
impact on the decision to have sex. The external environment
such as peer group interaction, media imagery and individual
personality – sex drive, appetite for risk, etc, are
responsible and these factors are beyond the state’s
control.
In
1996, the Durex ‘global sex survey’ found that the
average Indian male had sex for the first time at age 25.
The same annual survey concluded in 2005 that Indians on an
average lost their virginity at the age of 19.8 years. Of
course I would not take this at face value. But some of
these statistics do seem to be close to the truth. Indians
are the ‘oldest’ to lose their virginity – at age 19.8
years! Indian youth also had the fewest sexual partners in
the world, just 3 as against a global average of 9 in the
same age group.
So
the culture brigade can feel ‘happy’ at our relative
conservatism or perhaps be alarmed at our increased
promiscuity compared to previous generations. Indian youth
is changing and it is time we learnt to accept this fact. It is
not Bollywood that is spoiling them; in fact, it is
educating them.
(Atul
Dev is a New Delhi based senior freelance journalist. He can
be contacted at: atuldev@airtelbroadband.in)
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